What’s the Story? – Introduction to Genre Fiction

Overview

Intent:

This unit is designed to be taught at the start of Year 7 to equip students with a detailed understanding of narrative genre. The lessons provide students with foundational learning which will underpin the reading and writing of fiction throughout KS3 and KS4. A more detailed explanation of our rationale can be found here: The National Association for the Teaching of English , Literary Gourmands: Teaching genre to improve students’ literary response and enjoyment

Overarching Aims:

  • Become familiar with a range of different genres and their conventions
  • Understand how and why texts are categorised into genres and how this influences our experience of reading and writing them
  • Explore ways that writers conform to and deviate from conventions of different genres
  • Begin to develop confidence writing within specific genres
  • Develop a love of reading a wide variety of texts, and understand which titles we can choose if we want to delve deeper into particular genres

Essential Questions:

  • What are the conventions of crime and detective, horror, dystopia and fantasy stories? Where have these originated from and how have they evolved through time and place?
  • Why do these genres have enduring appeal?
  • Why do writers choose to adhere to the conventions of a genre? Why might they deviate from them?
  • How can recognising the different signposts of a genre make us more confident readers?

Useful resources for teachers:

The British Library has a range of resources available which trace the origins and evolution of specific genres over time. These could be useful subject knowledge materials for teachers.

Crime and Crime fiction

Freedom or Oppression – The Fear of Dystopia

Key Skills:

  • Understand and identify the conventions of a range of genres
  • Use these as signposts to help us make predictions about the characters, events, settings and themes of different narratives
  • Draw comparisons and contrasts between narratives of the same genre, and explain how they adhere to and deviate from their typical conventions
  • Use our knowledge of genre to create convincing characters, events, themes and settings in our own narratives

Vocabulary and concepts:

Vocabulary lists have been suggested as homework tasks and low-stakes quizzes/recall activities within the scheme of learning. These lists will be used to introduce students to different genres.

Assessment:

Lesson 15 – Text Transformation

Diagnostic assessment opportunities are highlighted in green throughout the scheme of learning, and focus on short writing tasks rather than guiding students to produce an extended narrative. Students should be provided with regular feedback on these writing tasks through teacher and peer assessment.

Teachers may wish to also build in longer writing opportunities at regular intervals to allow students to fully develop their ideas.

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Scheme of Learning

Learning Question 1: What is genre?

Learning Outcomes

Explain what genre is

Identify genres from a range of book covers and blurbs and select evidence to support my assertions

Explore why fiction texts are categorised in this way

Main Activities

Display a range of different genres on the board and ask students to identify what these words have in common. These should include: romance, adventure, crime and detective, science-fiction, fantasy espionage, horror, realism, and dystopia. Gauge students’ existing knowledge of the term ‘genre’ and, if necessary, form a definition as a class.

Share LQ. Display the same list of genres along with definitions. In pairs, ask students to match the genre to its definition. Use feedback to address any misconceptions about genres which may share similarities, and to ensure all students understand new terminology. Then, discuss: How can we identify the genre of a book?

Organise students into groups of 3 and display a range of book covers/blurbs around the room. Assign one to each group and ask them to identify the genre based on paratextual details on the cover and the information provided within the blurb. Teachers should model this process with their own example first.

Then, guide groups to justify their assertions. First, introduce the term denotation and ask them to annotate what the different clues on the covers and blurb denote.

Next, introduce the term connotation. Live model how to explain the connotations of the clues, (ensuring that students understand the difference between the two terms), before prompting them to do the same. Take feedback from each group by asking them to explain what genre their cover belongs to and how they know. 

Encourage students to make links between the different texts by posing the following questions:

  • Which texts belong to the same genre?
  • Which genres seem to overlap with each other? How?

It would be useful to take whole-class feedback after each question.

Consolidation

Guide students to discuss the following key questions about their own reading:

  • Which of these genres have we encountered before? In which texts? How do we know?
  • Which genres would we choose to read in the future? Which genres would we avoid? Why?
  • To what extent are some genres associated with adult or child readers? Why?

HW: Ask students to learn the definition and spelling of the following words for homework, in time for Lesson 2: Sinister, Clue, Motive, Investigation, Curious, Moral, Covert, Sensational. They could use vocabulary.com to access student-friendly definitions. These should then be recorded in their books.

Learning Outcomes

Reflect on our knowledge and experience of crime and detective fiction

Identify conventions of the genre and explain why they are important

Evaluate why this is the most popular genre in the world

Main Activities

Complete a quiz to assess students’ understanding of the words that they have learnt for homework. This could be done by providing students with definitions and asking them to record the corresponding word in their books.

Share LQ and ensure that students understand the term ‘conventions’ (a recipe analogy is often helpful for this).

Organise students in four (or eight) groups to complete a carousel of some of the conventions of the crime genre, particularly focusing on characters, themes, settings and events. Provide each group with an extract and each student with a question grid. Teachers could complete one convention with the class in order to model (a) how to select precise quotations and (b) how to use ‘because’ to develop full explanations. 

Circulate the resources until groups have had an opportunity to explore all the different conventions.

Consolidation

Show students a trailer for the film See How They Run (Knives Out is also an option but includes swearing). Ask students to discuss where/how different conventions of the genre have been used, which ones are missing, and why this might be. 

Then, guide students to consider why we enjoy crime and detective fiction and why it is the most popular genre in the world. Teachers may find this article It’s no mystery that crime is the biggest-selling genre in books useful and may wish to share the headline from it to prompt students’ discussions.